#NEW BUNDY BASS CLARINET FULL#
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At this point I'm not convinced you need one. He/she would be able to help you in eventually picking out a mouthpiece. One last thing about mouthpieces: Given that you're just starting out, have you found a teacher yet? It strikes me that finding a teacher would be a helpful step. If that's not an option, then making sure the shop has a really good return policy is key to not being out your hard-earned $$. Play-testing before buying is always ideal. Whatever the case, mouthpieces whether for clarinet, saxophone, trumpet, or tuba, are a very personal decision. Now it could have been me it could have been my circa late 1950s Richard Keilwerth-made bass clarinet or it could have been a combo of the two. Based on what bass clarinet players all say, the Vandoren ought to have worked for me. The moral of this story is simply this: You have to try out a mouthpiece before you can determine whether it works for you or not. It plays beautifully even across the entire range of the horn, and intonation is simply a dream as well. I brought it home, and it is great on the Richard Keilwerth bass clarinet of mine. Then about 3 months ago I was looking through some boxes my tech keeps vintage mouthpieces in at his shop, and I happened across a Geo Bundy bass clarinet piece. After trying his however, I found it didn't work for me nearly as well as both the MP's that came with the clarinet. I tried the Selmer, the no-name brand, and my tech's Vandoren-thinking I was going to order my own Vandoren. When I bought my bass clarinet from my tech just over a year ago-after not playing bass since university-it came with 2 mouthpieces: a Selmer HS* and the original no-name brand. But you know what? I saved myself a lot of money by trying my tech's. Secondly, about your mouthpiece question: I know everyone says that Vandoren is the go-to bass clarinet piece. Case shows a fair amount of scuffs and dings all around. Why is it important you ask? Depending on what the angle of the neck is-and your horn is decades newer than mind, so it likely is somewhat better to start with-most bass clarinet teachers will tell you that a strap used in combination with the peg will help you get the mouthpiece at the optimum angle. Selmer Bundy Bass Clarinet with Hard CaseIn good condition, shows a fair amount of scuffing and playwear. Even if they don't have one in one their back room that fits your horn, if you could figure out which student model brand peg (if any) fits your Selmer, then if necessary you could always order a new brand X peg, and that would likely be much cheaper than getting a new Selmer one.

#NEW BUNDY BASS CLARINET FULL#

I don't have a Selmer bass, so I don't know what the opening for that peg is, but with school instrument repair season being in full swing, there should be lots of horn pegs in the shops for techs to try out on your bass. All it is, is a piece of metal with a rubber foot that fits through the opening, and is held in place by the thumb screw at the bell. It might not be a Selmer peg, but it doesn't need to be. With a Boehm keywork system which places tone holes at acoustically optimum points, our Clarinet provides a superb sound and easy playability-ideal for the student musician. But I see that the current Selmer 1430P has. I know I could have my current neck re-angled. Its angle would be okay for a, well, tenor sax, but for a bass clarinet it's not optimal. You should ask you tech if he/she has one in a old donor parts horn case that you could buy. I have one of those ubiquitous Bundy Bass Clarinets it's one of the older models with the 'tenor sax style' neck. The satin wood like finish gives the instrument a sleek elegant look.Д«uilt in the USA (Elkhart, Indiana), the Selmer 1400B has built a foundation of trust with educators around the world.A couple of things come to mind for your situation.ДЇirst about your lack of a peg: Your clarinet did have one, but obviously it was separated from your clarinet at some point prior to you buying it. Wide pinky key designs make it easy for students with smaller fingers to reach. Specially designed drop forged, nickel-silver keys are durable and resistant to bending. Large straight tone holes, limit resistance found on undercut instruments making it easy for students to achieve a large full sound early on. Larger bore instruments will help students develop lung capacity early on.

#NEW BUNDY BASS CLARINET FREE#

590вЂќ bore is free blowing and provides a full sound. The 1400B clarinet is designed to be free blowing, allowing students to produce a full sound. Combining durable drop forged nickel silver keys, straight cut tone holes, and a satin wood like finish, these instruments will hold up year after year.

Based on the original designs of George BundyвЂ™s student clarinets, Selmer clarinets offer construction that is built to last a lifetime.

New bundy bass clarinet